World Renaud Capuçon creates a label for young talents of the classic
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renowned violinist, director of a music festival and an orchestra,adds a new string to its bow: a label which will make " the short scale" to young musicians in search of visibility.
The French artist, who has just left Warner Classics and the Erato label to join Deutsche Grammophon (subsidiary of Universal Music Group), thus becomes a producer, by developing in collaboration with this prestigious record company a label called " beautiful Productions ”, which will help young talents to occur more widely. " It has always trotted in my head but I had not found the key to make ," said the violinist, who often supports young musicians, especially with the Easter festival he founded to Aix-en-Provence and which will celebrate its 10th anniversary in 2023.
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The violinist who, during confinement, distributed On social networks every day videos of him playing at home, revealed how this idea of label germinated in his mind: " it crystallized during the pandemic. There were many young people impacted and, as I helped and already advised emerging talents, I said to myself: "Might as well do it in an entity" "
The idea of" Beautiful evening productions ", presented by The artist and Deutsche Grammophon as an innovative project in the world of classical music, is to make a kind of "short -scale to make them advance ". The label has already produced the concerts of these young artists with Renaud Capuçon across France. These recordings will be broadcast by Deutsche Grammophon, the powerful partner of the famous violinist.
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" These are not young outgoing young people, they are already professionals", specifies the star of classical music. For the moment, the project involves six talents, including violinist Manon Galy (revelation to the victories of classical music this year) and the young violist Paul Zientara. Renaud Capuçon insisted on the protective character of this new label: " as long as we are at the Conservatoire, we are protected but, when we are in the interwar period and we do not yet have an agent, We must take as a young musician the most important decisions of his life ",
Renaud Capuçon who made his debut like Maestro a year ago with the Lausanne Chamber Orchestra, of which he is the artistic director, insists On the generous principle of his approach: “ I am either a second violin or leading the orchestra, so no risk that I eclipse them. It is not I who make them progress but, by taking them to full rooms, they gain confidence ”. This proselytism is essential, for the 46 -year -old violinist, who is also in the city the husband of journalist Laurence Ferrari: “ There is also a social side: we will perform in rooms in the regions that have trouble To be completed, in prisons, in hospitals. It seems essential to me to bring music everywhere. I feel like I am in another part of my life ”.
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inexhaustible Renaud Capuçon has just released an album (under the Erato label), where he tackles the four seasons in Vivaldi, as well as the concertos of the unknown Guadeloupe composer The Knight of Saint-George (1745-1799) , which will be the subject of a Disney biopic.
having founded two years ago an endowment fund which is used to lend instruments, often expensive, to young musicians, he likes in this role of " father ", providing them with advice in terms of repertoire But also concerning their image on social networks.
mentor, now unwavering support of the new talents of the classic with its label, Renaud Capuçon does not forget to recall that the path of success is not easy to find: " young people can be drawn into a sort of wave when They are said to them: "You are great and they forget that they are there to play Brahms or Beethoven ..." but you have to keep your feet on the ground to hold in the long term ".
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