Entertainment: The Joker never needed an origin story, but especially not this one - PressFrom - Canada
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EntertainmentThe Joker never needed an origin story, but especially not this one

15:41  11 september  2019
15:41  11 september  2019 Source:   vox.com

Joaquin Phoenix on His Joker Transformation: ‘You Start to Go Mad’

Joaquin Phoenix on His Joker Transformation: ‘You Start to Go Mad’ VENICE, Italy—Joaquin Phoenix’s Arthur Fleck, the mentally-ill antagonist at the center of Todd Phillips’ Joker, is without question the most deranged version of the DC supervillain to ever hit the screen. 

Batman’s nemesis, the Joker , is uniquely chilling among supervillains for one very specific reason: He’s never had a definitive origin story . Since his creation in 1940, the Joker has simply been the personification of evil, reinterpreted by various writers to fit the story they want to tell on the page or

Just because Todd Phillips' Joker tells an origin story for the character doesn't mean it's the only true one . As fans familiar with Batman lore will tell you, giving the Joker a fixed origin story goes against what’s come to be considered a fundamental conceit of the character -- in that he has none.

The Joker never needed an origin story, but especially not this one© Courtesy of TIFF Joaquin Phoenix in Joker. Batman’s nemesis, the Joker, is uniquely chilling among supervillains for one very specific reason: He’s never had a definitive origin story. Since his creation in 1940, the Joker has simply been the personification of evil, reinterpreted by various writers to fit the story they want to tell on the page or screen.

The Joker’s seeming randomness, his refusal to be limited by any moral code or any whiff of history, is scary as hell. He’s what humans have always feared and fought: evidence of an uncaring universe, one that strikes at random. And personifications of inexplicable, snickering evil have shown up throughout human history, from folklore and legend all the way to characters like No Country for Old Men’s Anton Chigurh, who stalks around with a captive bolt stunner randomly killing people based on the flip of a coin.

‘Joker’ Gets Eight-Minute Standing Ovation at Venice Premiere

‘Joker’ Gets Eight-Minute Standing Ovation at Venice Premiere The premiere of “Joker” at the Venice Film Festival drew an eight-minute standing ovation Saturday night for actor Joaquin Phoenix, director Todd Phillips and the gripping but harrowing origin story they’ve mapped out for Batman’s arch-villain. Phoenix and Phillips were joined in the Sala Grande by Zazie Beetz, who also stars in the film as Phoenix’s character’s neighbor. Robert De Niro, who plays a talk-show host, did not make the trek to the Lido. Buzz in Venice had been growing steadily around the Warner Bros.

The Joker was one of the few popular villains continuing to appear regularly in Batman comics from the Golden In 1951, Finger wrote an origin story for the Joker in Detective Comics #168, which The backlash was inspired by Frederic Wertham, who hypothesized that mass media ( especially comic

The Animated Series never delved too deeply into the Joker 's beginnings. However, the clues that At the end, Joker is about to tell Batman a third, probably altogether different story , but the Dark The Joker origin presented in the Lovers and Madmen storyline starts from a similar place as the

Like his brethren, the Joker can and will strike without warning, and for him it’s just a game, a bit. He doesn’t believe in anything. He doesn’t want anything more than to watch people suffer. He wants to burn the world and dance in the ruins.

So to give the Joker a motivation, a backstory, is to ascribe logic to evil and play with fire. And to do so in a world where the Joker’s own motivations for what he does manifest every day through “jokes” — like trolling to spread hateful ideologies and s**t-posting mimicked in mass-shooter manifestoes — is a way to explain the world we live in.

Which brings us to Joker, a gritty reimagining of the Joker’s early days directed and co-written by Todd Phillips, who’s spent his career bringing a particular breed of pleasure-obsessed American masculinity to the big screen with successful, unforgettable side-splitters like Old School and the Hangover trilogy. Joker is no comedy. But it’s on a continuum with Phillips’s themes, and it shows his directorial chops; it’s a well-crafted movie.

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Chances are, we may never know the true story of how the Joker came to be. But that doesn’t mean it isn’t Another story in which there are actually three jokers in total not just one . One in which Bruce’s parents Neither had we until we discovered this amazing origin story . Hold on because here we go.

His evolution from origin story to modern day guides our hands as they cower in fear. In truth, the Joker 's story hits closer to home than you thought also this video does not feature Suicide Squad but fuck that movie About Treesicle: Gaming content that understands the need for lulz and learning.

Meanwhile, the film has courted controversy even before its release, touting its “hard-R rating” (even though there’s no such thing) relative to the average superhero film. An early version of the script “leaked,” followed by stories about it being continuously rewritten during production, perhaps a sign that it was too edgy for the studio. Early reviews from its Venice Film Festival premiere worried that it was a “toxic rallying cry for incels”; it won the festival’s top prize.

The impression it was trying to make was clear: This is not your older sibling’s Joker movie. It’s not even the brooding, frightening Dark Knight, with Heath Ledger’s iconic performance as a truly random Joker. Joker was designed to be darker, even meaner, than Christopher Nolan’s Batman classic, a turbocharged supervillain story where there’s no hero to save anyone. Supposedly it would be shocking, foul-mouthed, not for the faint of heart. It would be — as the film was introduced at its North American premiere in Toronto — “bonkers.”

Dark 'Joker' wins top Venice Film Festival prize

Dark 'Joker' wins top Venice Film Festival prize Todd Phillips' dark comic book film "Joker" won the Golden Lion Award at the 76th Venice International Film Festival on Saturday and cemented its place as a legitimate contender for the rest of the awards season. Jury president Lucretia Martel announced the winners of the prestigious award during a ceremony on the Lido. The Golden Lion previously put a spotlight on films that went on to be major awards season players, such as "Roma" and the film academy's 2018 best picture winner, "The Shape of Water." © Provided by Canadian Press Enterprises Inc"I want to thank Warner Bros.

One of the most interesting parts of this origin is that Batman himself disfigures Jack, slicing his face with a Batarang and In what’s arguably the most canonically accepted representation of the Joker ’s mysterious origin , Heath Ledger’s Joker tells multiple versions of the story behind his terrifying grin.

But the problem with this Joker origin story idea isn’t that it’s going to be directed by someone This is not to say that the Joker hasn’t ever had an origin of some sorts. Tim Burton’s 1989 film Batman The best possible version of the Joker remains the one portrayed by Heath Ledger in Christopher

Turns out that was all smoke and mirrors. Joker is a well-made movie, with a killer performance from Joaquin Phoenix, who seems born to play the role. But there’s nothing “bonkers” about it. It has nothing to say about the Joker himself or what he represents, or even about the world in which his brand of evil exists. Go ahead and crack open the movie. It’s hollow to the core.

Jokeris about a man on the verge of an explosive nervous breakdown

Joker most strongly evokes two Scorsese films, both about unhinged men and both starring Robert De Niro: Taxi Driver (1976) and The King of Comedy (1983). Like much of Scorsese’s work, those two films indelibly imprinted cinema with a particular image of New York City: dirty, dangerous, with a very thin veneer of civilization that’s ready to crack at any moment. Phillips apes that look competently and suffuses it in garish fluorescent lights and eerie greenish glows.

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The Joker never needed an origin story, but especially not this one
Joker is roughly set right between those two films, in a Gotham City modeled on New York around 1981, judging from movie posters that appear in the background. There’s a sanitation strike on, and the sidewalks are piling high with garbage (and if you’ve ever been in New York on particular pungent nights, you can practically smell them). Rats and super-rats are taking over. Tensions are running high.

In the middle of this world lives Arthur Dent (Phoenix), who works as a clown and suffers from a neurological condition that makes him laugh uncontrollably when he doesn’t want to be laughing at all. He lives with his ailing mother Penny (Frances Conroy) in a dimly lit apartment building where the elevator doesn’t work, meets regularly with his social worker, and takes a lot of medication.

Toronto-based financier for Joker has made movies into ultimate yield play

Toronto-based financier for Joker has made movies into ultimate yield play Jason Cloth manages risk in his film-financing business just like he did as an investment banker, scrutinizing deals with one big question in mind: “How do I not get screwed?” That means staying focused on business and not getting bedazzled by the glitz and glamour of Hollywood. “People play on the vanity of it,” Cloth, 53, said in an interview at Bloomberg’s Toronto office. “But if you strip away the vanity, bright lights and you run it as an asset-backed lending play, then you just dig into the value and understand it.” The approach appears to be working.

Trying to give the Joker an origin story is a dumb idea. Here’s what we do know about the Joker : He originally rose to prominence in There has never been a consistent answer to that question. Infinite monkeys on infinite typewriters might be able to one day write Shakespeare, but 75 years of continual

This being the case, if The Joker told of his origins , what cause would the audience have to believe it to be true? As excited as we are of seeing the Clown Prince of Gotham get his own movie, one thing gives us pause: the Joker ’s LACK of an origin is one of the things that makes him one of the most

The Joker never needed an origin story, but especially not this one© Niko Tavernise / Courtesy of TIFF Joaquin Phoenix in Joker. Joaquin Phoenix in Joker.

Arthur and Penny spend their nights watching a late-night comedy hour hosted by an old-school comedian, Murray Franklin (Robert De Niro). It’s the most obvious Scorsese quote in Joker, made explicit by De Niro’s casting. In The King of Comedy, De Niro plays an aspiring but untalented stand-up comedian named Rupert Pupkin who idolizes a late-night TV host, scheming and dreaming of being put on his show, and eventually kidnaps him in order to make it happen. Joker flips the script, with De Niro playing the comedian whom Arthur, an aspiring stand-up, idolizes. Arthur pretends to be on Franklin’s show in his living room.

But where The King of Comedy was about how TV turns its most devoted viewers into delusional seekers of the spotlight — and in the end, Pupkin’s buoyancy worked out for him — Joker has darker designs for Arthur. For most of its two-hour runtime, Joker is a parade of humiliation for him. He is beaten up several times by packs of roving punks. His uncontrollable laughter makes him a figure of scorn and disgust. The other guys at work make fun of him. His social worker can barely conceal her distaste for him, which doesn’t much matter anyway since the department is being eliminated by the beleaguered city. He bombs exquisitely at stand-up, then finds himself the nationwide object of ridicule.

Todd Phillips Says Joaquin Phoenix’s Joker Won’t Meet Robert Pattinson’s Batman

Todd Phillips Says Joaquin Phoenix’s Joker Won’t Meet Robert Pattinson’s Batman “Joker” director Todd Phillips isn’t optimistic when it comes to a future meeting between Joaquin Phoenix’s Joker and Robert Pattinson’s recently announced Batman “No, definitely not,” he told Variety when asked if the pair would appear in a future film together. 

an origins story for Batman’s most notorious nemesis has come as a surprise – but history suggests that the match might not be as disastrous as it sounds. But let’s lay that narrative to one side for a moment, because the synergy of a Scorsese-led Joker movie is just too perfect not to comment on.

For Batman fans, the history of the Joker is no laughing matter. A report that said Warner Bros. is working on a spinoff featuring the origins of the Glen Weldon, author of The Caped Crusade: Batman and the Rise of Nerd Culture‎, said that DC gave the character an origin story , but that was

The only person who doesn’t despise Arthur is his neighbor Sophie (Zazie Beetz). But what counts as kindness to Arthur is a few words of small talk in an elevator and a smile. No wonder, Joker suggests, that he eventually cracks.

Jokeris not nearly as edgy or interesting as it thinks it is

Following the film’s North American premiere in Toronto, Phillips said he wrote Joker for Phoenix even before the two knew each other, which seems obvious from the start. Bony, lanky, with a cavernous mouth that releases roars of laughter as his eyes telegraph humiliation and defeat, Phoenix imbues Arthur with a sense of menace even when he’s at his most helpless. His performance is reason enough to see the movie.

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The Joker never needed an origin story, but especially not this one
And yet. The notion that Arthur’s villainy essentially stems from his untended mental illness is troubling enough; evil (and mass shootings) having often been ascribed to pathologies. But what’s even more disconcerting is what Joker’s story suggests about the society into which the movie debuts.

Joker rewrites the backstory of one of comics’ most infamous villains to be one of humiliation and scorn; essentially, the movie says, he is bullied into mass murder, beset by a merciless society that he must eventually rally against.

And there’s a larger context for that, in Gotham City. As Arthur struggles with his demons, an uprising is fomenting, with a revolt seemingly inevitable. For most of the movie, we only hear about it in news reports — an “anti-wealthy” movement, one that eventually takes Arthur as its figurehead and Thomas Wayne, the wealthy mogul whose son will one day be the Joker’s arch-nemesis, as the face of its enemy.

Joaquin Phoenix on ‘Joker’: “It Was One of the Greatest Experiences of My Career”

Joaquin Phoenix on ‘Joker’: “It Was One of the Greatest Experiences of My Career” Joaquin Phoenix wrestled with playing the Joker before he signed on to Todd Phillips’ latest film. The actor talked about coming to terms with the role at a Q&A following the North American premiere of “Joker” at the Toronto Film Festival on Monday night. “I mean honestly, it wasn’t an easy decision at first,” Phoenix said. “I didn’t f–king know. I didn’t. But then there was something that was drawing me toward it. It just evolved as we worked together. It started becoming something more than I anticipated. It was one of the greatest experiences of my career.” Phoenix’s interpretation of the Joker comes as Warner Bros.

Naturally, the words " Joker origin story " will raise the hackles of many a comic book fan - and alone constitutes the reason a Joker origin movie shouldn't exist. But if we shake off the chains and assumptions of restrictive shared universes, and free ourselves from any responsibility to tell a

During Joker 's third (attempt at a) story , Batman completely ignores the Joker 's attempt at starting a conversation, and continues with the fight that is But given what we know of the other origin stories ; the third story would be one that is very applicable to Batman. E.g. about how the scars are Joker 's

Yet it’s not Arthur they idealize, nor his true self they seek to emulate. Actually, everyone hates Arthur. He’s beaten up by a street gang and a trio of Wall Street scum bros, taunted by talk show hosts and random bystanders. That he’s co-opted by a band of people who want to rally around his likeness without knowing who their leader even is seems like a perfect final mixture of triumph and indignity. He’s only good to them for what he represents.

And the movie doesn’t seem gutsy enough to try to draw out that tension. Instead, once Joker starts barreling toward its conclusion, Arthur snaps, turning into an angry guy with a gun and violent disregard for everyone. The world is against him, and by extension his would-be followers. The world deserves what they’re about to get, whether at his hands or the hands of all the other angry, rioting downtrodden in Gotham City.

The Joker never needed an origin story, but especially not this one© Niko Tavernise / Courtesy of TIFF Joaquin Phoenix in Joker. Joaquin Phoenix in Joker.

Which turns a supervillain into a kind of folk hero. The personification of evil, in Joker, is now just the flip side of the same morality coin. Certainly, Batman and the Joker have always been presented as yin and yang, order and chaos, protector and predator. But the terror of the Joker is curiously defanged in the film. It doesn’t seem convinced those categories of good and evil, order and chaos exist. Like the Joker himself, it believes in nothing.

Though Joker boasts Phoenix’s finely layered performance, it contains nothing as quote-unquote “bonkers” as, say, Sandra Bernhard’s absolutely deranged performance in The King of Comedy. There is nothing unpredictable about Joker, nothing we haven’t seen before, no revelations that shift how we see the world or the story. For a movie that clearly prides itself on its edginess, it is weirdly inert and stolid.

I think the Joker — and the legions of readers, audiences, and fans who have found him so spine-chilling from the start — deserved for this stand-alone origin story to have a bigger imagination and a more instinctive sense of what makes him an icon of evil. You can find much scarier, more shocking stuff by casually surfing websites or reading the news. Joker is a tightly directed mood piece with an unforgettable performance at its center, but it’s not much more than a mask, with nothing but banality behind.

Joker premiered at the Venice Film Festival and played at the Toronto International Film Festival. It opens in theaters on October 4.

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TORONTO — "Joker" star Joaquin Phoenix stunned Toronto subway passengers with a surprise visit that briefly clogged a downtown station's platform and stairwells. The movie star made the afternoon appearance just before rush hour to view an underground publicity campaign promoting veganism, but did not speak to onlookers or board a train. Phoenix spent about five minutes wandering past transit riders to view black-and-white images of farmed

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