•   
  •   
  •   

Entertainment Martin Scorsese's Crime Films Ranked, From 'Boxcar Bertha' to 'The Irishman' (Photos)

21:05  19 september  2020
21:05  19 september  2020 Source:   thewrap.com

Beyond Bond: Sean Connery's 14 Most Memorable Non-007 Film Roles

  Beyond Bond: Sean Connery's 14 Most Memorable Non-007 Film Roles "Darby O'Gill and the Little People" (1959) Sean Connery's first major Hollywood role came in this Disney film about a wily Irishman battling local leprechauns. The New York Times dismissed his performance, as a Dubliner who woos Darby's daughter as "merely tall, dark and handsome." "Marnie" (1964) After breaking out big time as James Bond in 1962's "Dr. No" and the 1963 sequel "From Russia With Love," Connery snuck in a role in this Alfred Hitchcock thriller as a wealthy widower who both falls for a mysterious woman with a checkered past played by Tippi Hedren.

Martin Scorsese has made 25 narrative feature films , and only eight of them have been about people who live a criminal lifestyle. Photo by American International Pictures/Getty Images. 8. " Boxcar Bertha " (1972) Martin Scorsese ’ s first crime movie -- and second feature -- stars Barbara Hershey

All 25 Martin Scorsese Movies, Ranked . By Dan Jackson, Jordan Hoffman, and Esther Zuckerman. Instead, he would go to the movies, where he discovered his lifelong infatuation with the films that Boxcar Bertha is a great deal of fun; a very "of its time" post-Bonnie & Clyde outlaw picture, with a Scorsese as Martin Rittenhome in Quiz Show (1994) Scorsese has made more than a few acting

Robert De Niro, Ray Liotta posing for the camera: Martin Scorsese films © TheWrap Martin Scorsese films

Martin Scorsese has made 25 narrative feature films, and only eight of them have been about people who live a criminal lifestyle. Yet when we think about his work, we think about the gangsters. Not Alice (who doesn't live here anymore), not Christ (and his last temptation), but wise guys in slick suits who break the law, look good doing it, and always end up dead, miserable or both.

Robert De Niro et al. posing for the camera: Martin Scorsese has made 25 narrative feature films, and only eight of them have been about people who live a criminal lifestyle. Yet when we think about his work, we think about the gangsters. Not Alice (who doesn’t live here anymore), not Christ (and his last temptation), but wise guys in slick suits who break the law, look good doing it, and always end up dead, miserable or both.  That’s probably because Scorsese, who grew up in New York City and knows the culture intimately, brings a specificity to his crime movies that matches his well-known virtuosity behind a camera. He may have made more films about other subjects than he has about criminals, but he helped define the way we look at criminality on screen. And he keeps coming back to the subject, again and again, to refine his techniques and to approach similar topics from all-new angles. Let’s take a look at all the Scorsese movies that can confidently be called “crime” films, and see how they stack up against each other, which ones are truly essential: © Provided by TheWrap

Martin Scorsese has made 25 narrative feature films, and only eight of them have been about people who live a criminal lifestyle. Yet when we think about his work, we think about the gangsters. Not Alice (who doesn’t live here anymore), not Christ (and his last temptation), but wise guys in slick suits who break the law, look good doing it, and always end up dead, miserable or both.

Katherine Waterston, Vanessa Kirby Romance 'The World to Come' Acquired by Bleecker Street

  Katherine Waterston, Vanessa Kirby Romance 'The World to Come' Acquired by Bleecker Street Bleecker Street has acquired the North American rights to "The World to Come," a period drama and romance starring Katherine Waterston and Vanessa Kirby that made its premiere at the Venice Film Festival. "The World to Come" is directed by Mona Fastvold and won the Queer Lion Award at the festival and the Fanheart3 Award. Bleecker Street has yet to set release plans. "The World to Come" is set in the mid-19th century along the frontier of America's Eastern shorlines and follows Waterston and Kirby as two farm wives who form an intense love affair apart from their husbands, even as they battle hardship, isolation from the outside world and are chall

Martin Scorsese still has fascinating mob tales to tell, and fascinating ways to tell them, like " The Irishman " starring ‘ The Irishman ’ Film Review: Martin Scorsese ’ s Gangster Epic Is Melancholic and Bittersweet. Photo credit: Netflix. “ The Irishman ” opens with a needle-drop (The Five Satins’

Director: Martin Scorsese | Stars: Leonardo DiCaprio, Jonah Hill, Margot Robbie, Matthew McConaughey. A tale of nineteenth-century New York high society in which a young lawyer falls in love with a woman separated from her husband, while he is engaged to the woman' s cousin.

That’s probably because Scorsese, who grew up in New York City and knows the culture intimately, brings a specificity to his crime movies that matches his well-known virtuosity behind a camera. He may have made more films about other subjects than he has about criminals, but he helped define the way we look at criminality on screen. And he keeps coming back to the subject, again and again, to refine his techniques and to approach similar topics from all-new angles.

Martin Scorsese’s Crime Films Ranked, From ‘Boxcar Bertha’ to ‘The Irishman’ (Photos)

  Martin Scorsese’s Crime Films Ranked, From ‘Boxcar Bertha’ to ‘The Irishman’ (Photos) Where does "The Irishman" stand in his bad-guys-doing-bad-things oeuvre?

Director: Martin Scorsese | Stars: Robert De Niro, Cathy Moriarty, Joe Pesci, Frank Vincent. Based on the true story of Jordan Belfort, from his rise to a wealthy stock-broker living the high life to his fall involving crime , corruption and the Other Lists by bradleycarreiro. Christopher Nolan Films Ranked .

‘ The Irishman ': Martin Scorsese on De-Aging De Niro and Pacino Without ‘Helmets or Tennis Balls Boxcar Bertha was first pitched as a simple exploitation film , but under the capable guiding hand of As the film ' s title character, Barbara Hershey establishes a solid foundation to the film ' s acting front

Let’s take a look at all the Scorsese movies that can confidently be called “crime” films, and see how they stack up against each other, which ones are truly essential:

That's probably because Scorsese, who grew up in New York City and knows the culture intimately, brings specificity to his crime movies that matches his well-known virtuosity behind a camera. He may have made more films about other subjects than he has about criminals, but he helped define the way we look at criminality on screen. And he keeps coming back to the subject, again and again, to refine his techniques and to approach similar topics from all-new angles.

The 25 best grunge albums from the '90s

  The 25 best grunge albums from the '90s When Nirvana released its album "In Utero" it didn’t capture the zeitgeist like "Nevermind" did, but it still made a huge impact on the music landscape of the '90s.

Frank " The Irishman " Sheeran is a man with a lot on his mind. The former labor union high official He now looks back on his life and the hits that defined his mob career, maintaining connections with the Bufalino crime family. Q: How violent is The Irishman compared to other Martin Scorsese films ?

The Irishman was released on Netflix just in time for Thanksgiving. Today we ask what' s behind director Martin Scorsese ' s enduring fascination From films like Goodfellas to Gangs of New York to The Departed to The Irishman , Scorsese ' s Irish themed films comment eloquently on perhaps his

Let's take a look at all the Scorsese movies that can confidently be called "crime" films, and see how they stack up against each other, which ones are truly essential:

8. "Boxcar Bertha" (1972)

Martin Scorsese's first crime movie — and second feature — stars Barbara Hershey as the eponymous young woman in the Great Depression whose boyfriend Big Bill (David Carradine) tries to start a railroad union. But when the law turns them into criminals, they decide to play the part for real and begin robbing the rich. Hershey is great, and so is Bernie Casey as their most dignified partner in crime, but the subtle character work and commentary about 1930s racism, sexism and economic disparity get lost in the lurid violence and sensuality that producer Roger Corman demanded of his exploitation cinema in the 1970s. "Boxcar Bertha" is at war with itself, and although Scorsese's work was undeniably promising, it's a war that nobody wins.

10 Must-Have Tools From the Snap-On Catalog

  10 Must-Have Tools From the Snap-On Catalog Carrie Underwood is getting in the holiday spirit with her first-ever Christmas album ‘My Gift’. During an appearance on Apple Music’s “Today’s Country Radio”, the country star discusses her very special collaboration with her son Isaiah, 5, whom she says has the "perfect little kid voice."

Martin Scorsese with Robert De Niro during filming of "Raging Bull" (1980). Suffering from asthma, Scorsese could not be outdoors, and so his father took him often to the movies, where he Barbara Hershey in " Boxcar Bertha " (1972). Like many filmmakers of his generation, Scorsese worked for

Martin Scorsese interviews his mother and father about their life in New York City and the family history back in Sicily. A tale of nineteenth-century New York high society in which a young lawyer falls in love with a woman separated from her husband, while he is engaged to the woman' s cousin.

7. "Gangs of New York" (2002)

Arguably Scorsese's most epic production, with elaborate sets that recreate mid-19th century New York City, "Gangs of New York" stars Leonardo DiCaprio as Amsterdam Vallon, a thief who sidles up to boisterous gangster Bill "The Butcher" Cutting (Daniel Day-Lewis), the man who killed Amsterdam's father. Scorsese's gigantic film is a masterpiece of period detail, from the sets to the costumes to the painstakingly recreated period-accurate accents. Unfortunately, the story gets lost in all the research; the film's subplots are all more captivating than Amsterdam's relationship with Bill, on which the entire movie supposedly hangs. Daniel Day-Lewis and most of the film's supporting cast seem to fully inhabit this vibrant old world, with broad performances that could be straight out of a silent movie. In contrast, DiCaprio's and co-star Cameron Diaz's relatively contemporary acting styles make them look like they wandered in from another film.

Idris Elba to Star in Baltasar Kormákur Survival Thriller 'Beast' at Universal

  Idris Elba to Star in Baltasar Kormákur Survival Thriller 'Beast' at Universal Idris Elba is a "Beast," as he's set to star in a survival thriller from "Everest" director Baltasar Kormákur that will be set up at Universal. The plot details for "Beast" are being kept under wraps, but the film is based on an original idea from writer Jaime Primak-Sullivan. "Rampage" screenwriter Ryan Engle wrote the script. Will Packer and James Lopez will produce "Beast" through their Will Packer Productions. Kormákur will produce through his RVK Studios. Primak-Sullivan will executive produce. Packer, Lopez, Primak-Sullivan and Engle all previously worked together on the 2018 thriller "Breaking In.

a man wearing a hat: 8. © Provided by TheWrap

8. "Boxcar Bertha" (1972)

Martin Scorsese’s first crime movie -- and second feature -- stars Barbara Hershey as the eponymous young woman in the Great Depression whose boyfriend Big Bill (David Carradine) tries to start a railroad union. But when the law turns them into criminals, they decide to play the part for real and begin robbing the rich. Hershey is great, and so is Bernie Casey as their most dignified partner in crime, but the subtle character work and commentary about 1930s racism, sexism and economic disparity get lost in the lurid violence and sensuality that producer Roger Corman demanded of his exploitation cinema in the 1970s. “Boxcar Bertha” is at war with itself, and although Scorsese’s work was undeniably promising, it’s a war that nobody wins.

USA: Scorsese and Eastwood call for help in movie theaters

 USA: Scorsese and Eastwood call for help in movie theaters SANTE-CORONAVIRUS-USA-CINEMAS: USA: Scorsese and Eastwood call for help in theaters © Reuters / Mario Anzuoni USA: SCORSESE AND EASTWOOD CALL FOR RESCUE THE LOS ANGELES MOVIES (Reuters) - Directors Martin Scorsese, Clint Eastwood and James Cameron on Wednesday lent their support to movie theater owners in the United States who are calling for financial aid to offset the effects of the crisis health of the coronavirus, saying they fear for the future of the industry.

6. "The Irishman" (2019)

Scorsese's biopic about Frank "The Irishman" Sheeran, the man who allegedly killed Jimmy Hoffa, is a panoramic gangster epic unlike any of his other panoramic gangster epics. Robert De Niro stars as Frank, who develops close relationships with mobster Russell Bufalino (Joe Pesci) and Hoffa (Al Pacino) over the course of many years, while short-changing his family and accomplishing nothing of consequence other than a body count. "The Irishman" goes right up to the point where all other gangster movies would end, then keeps going, as these powerful wise guys wither and die, giving Scorsese's whole contribution to the gangster genre a fitting, thoughtful and melancholy denouement. But although the film is designed to play like the ramblings of an old man, it arguably does that job a little too well, and sometimes strains to justify its colossal running time.

Why 'Fireball' Producer Sandbox Films Doesn't Need Talking Heads to Make Smart Science Documentaries

  Why 'Fireball' Producer Sandbox Films Doesn't Need Talking Heads to Make Smart Science Documentaries In Werner Herzog and Clive Oppenheimer's "Fireball: Visitors From Darker Worlds," the directors show you gloriously colorful images of meteorites containing atomic particles of five-fold symmetry, a geometric shape thought to be impossible in nature. It's a beautiful sight, but the German auteur concedes that he "won't torture you" with more testimony from a bespectacled professor about how the math works. That line captures the ethos for the new production company Sandbox Films, which produced "Fireball" and launched last month at TIFF with a lineup of other science-based documentary films all in development.

5. "The Departed" (2006)

Scorsese's remake of Andrew Lau and Alan Mak's sleek and stunning Hong Kong classic "Infernal Affairs" is huge and sloppy, but never less than riveting. Leonardo DiCaprio stars as Billy Costigan, a cop sent undercover with demonic Boston mobster Frank Costello, played by Jack Nicholson. What Costigan doesn't realize is that Costello has his own sleeper agent, Colin Sullivan (Matt Damon), who's infiltrated the task force that's out to get Costello. The plot gets more complicated and fascinating when Costigan and Sullivan are assigned to root out the mole in both organizations, forcing them to chase after each other — and themselves. Scorsese keeps the tricky storyline easy to follow, and Jack Nicholson gives an iconic performance, with Vera Farmiga, Alec Baldwin and Oscar-nominee Mark Wahlberg popping off the screen with memorable supporting turns. "The Departed" isn't Scorsese's richest gangster movie, but it may be his most thrilling.

4. "Mean Streets" (1973)

Harvey Keitel and Robert De Niro have breakout roles in Scorsese's first film about Italian-American gangsters, a free-flowing slice-of-life drama about low-level thugs balancing friendship, romance and minor scams in New York City in the 1960s. Keitel plays Charlie, a young mobster who struggles to balance the lifestyle he loves with his Catholic upbringing, opposite De Niro as Johnny Boy, the carefree firecracker who's got debts all over town and an ever-growing list of enemies. Charlie tries to keep Johnny Boy out of trouble, but he may be powerless to prevent this coming-of-age tale from turning into a bitter tragedy. Scorsese's film is so dense with incidental detail that it doesn't feel like you're watching these moments; it feels like you fell into them, and the eclectic soundtrack and inventive camera work make even lazy evenings at the bar with the fellas pop like fireworks.

a man wearing a hat: 7. © Provided by TheWrap

7. "Gangs of New York" (2002)

Arguably Scorsese’s most epic production, with elaborate sets that recreate mid-19th century New York City, “Gangs of New York” stars Leonardo DiCaprio as Amsterdam Vallon, a thief who sidles up to boisterous gangster Bill “The Butcher” Cutting (Daniel Day-Lewis), the man who killed Amsterdam’s father. Scorsese’s gigantic film is a masterpiece of period detail, from the sets to the costumes to the painstakingly recreated period-accurate accents. Unfortunately, the story gets lost in all the research; the film’s subplots are all more captivating than Amsterdam’s relationship with Bill, on which the entire movie supposedly hangs. Daniel Day-Lewis and most of the film’s supporting cast seem to fully inhabit this vibrant old world, with broad performances that could be straight out of a silent movie. In contrast, DiCaprio’s and co-star Cameron Diaz’s relatively contemporary acting styles make them look like they wandered in from another film.

3. "The Wolf of Wall Street" (2013)

White-collar crime gets filmed with all the overwhelming zeal of a violent gangster epic in Scorsese's hilarious and bitter biopic about stock-market con man Jordan Belfort. Leonardo DiCaprio gives a masterful and bizarrely physical performance as Belfort, who stole millions and millions and doesn't get treated like a mobster because he never put a gun to anyone's head, even though he obviously should. "The Wolf of Wall Street" is a wild and vicious condemnation of a system that rewards the despicable, while admitting, in no uncertain terms, the shiny appeal of Belfort's road to moral dissolution. DiCaprio gives his finest, funniest and most intriguing performance as Belfort, while Margot Robbie dazzles in her breakout turn as his wife, Naomi.

2. "Casino" (1995)

Scorsese's exposé of the Las Vegas criminal underworld isn't one of his typical morality tales: It's discordant and intensified, and it never seems to take a breath (just like Vegas itself), and its storyline doesn't so much come to an end as get suddenly beaten to death. Robert De Niro stars as "Ace" Rothstein, a gambling expert who's given the reins of his own casino, the Tangiers, while his childhood friend Nicky Santoro (Joe Pesci) takes over the violent crime along the strip, and his wife Ginger (Sharon Stone) gradually dissolves into depression and drug abuse because Ace won't let her go. "Casino" is excessive on every cinematic level, but Scorsese keeps it focused, employing dazzling imagery and stunning editing to convey the grotesqueries of Vegas with all of the majesty that cinema allows.

1. "Goodfellas" (1990)

As far back as Henry Hill can remember, he always wanted to be a gangster. Scorsese's masterpiece follows young Hill from his early days as a street hustler to the inner mafia circles, into absolute desperation and decay, and onward into limbo. As Hill, Ray Liotta captures the slickness and the slime of criminal excess, while Joe Pesci's hair-trigger temper offers a constant reminder that every single moment of this seemingly appealing lifestyle could lead directly to your own murder, only seconds later. Captivating cinematography (by Michael Ballhaus) captures the glitz, while the film expands and contracts to show how fleeting success can be, and how interminable your last day as a free man feels. Revealing, earnest, beautiful and cruel, "Goodfellas" is the ultimate Scorsese experience.

Why 'Fireball' Producer Sandbox Films Doesn't Need Talking Heads to Make Smart Science Documentaries .
In Werner Herzog and Clive Oppenheimer's "Fireball: Visitors From Darker Worlds," the directors show you gloriously colorful images of meteorites containing atomic particles of five-fold symmetry, a geometric shape thought to be impossible in nature. It's a beautiful sight, but the German auteur concedes that he "won't torture you" with more testimony from a bespectacled professor about how the math works. That line captures the ethos for the new production company Sandbox Films, which produced "Fireball" and launched last month at TIFF with a lineup of other science-based documentary films all in development.

usr: 1
This is interesting!