Entertainment ‘Mank’ Cinematographer Erik Messerschmidt Thanks Netflix Pic’s “Extraordinary Crew” As He Accepts First Oscar

06:45  26 april  2021
06:45  26 april  2021 Source:   deadline.com

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‘ Mank ’ Cinematographer Erik Messerschmidt Thanks Netflix Pic ’ s “ Extraordinary Crew ” As He Accepts First Oscar . David Fincher Amanda Seyfried Gary Oldman Eric Roth Erik Messerschmidt Ceán Chaffin awards Netflix .

No extraordinary camera, no extraordinary location, no extraordinary diglogues, no extraordinary editing, no extraordinary crew but above all this movie is stands as real extraordinary movie. This is one real different treatment Thankar wants to make this movie ordinary in to extraordinary. This movie really teasing our so called good movies without any intention. Or may be, I am the one felt that. Thanks to ThankarBachan and I am waiting for his next movies. Sathyaraji did a great job as an actor.

a man wearing a suit and tie © ABC

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At the 93rd Academy Awards, Mank‘s Erik Messerschmidt took home his first Oscar for Best Cinematography.

In his acceptance speech, he thanked director David Fincher “for creating an environment where we could do our best work,” expressing gratitude for the fact that he “got to go home and feel like I gave it my all, every night.”

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He then thanked producer Ceán Chaffin for her “endless support,” screenwriter Eric Roth for his “guidance,” actors Amanda Seyfried and Gary Oldman and their fellow cast members “for hitting [their] marks,” as well as his collaborators in the camera department. “This really belongs to an extraordinary crew who I could not do anything without,” he said. “And thank you to my beautiful wife Naiara, who tolerates this crazy business and helped me get through this movie.”

The Long Road To Oscar: The Journey Of Each Best Picture Nominee

  The Long Road To Oscar: The Journey Of Each Best Picture Nominee Each of this year’s Best Picture nominees has survived a journey to cross the finish line, before earning the Academy’s consideration. Here’s how they came together. The Father Playwright Florian Zeller’s The Father enjoyed several award-winning runs on the stage before it made its evolution to film, but first-time feature film director Zeller had long been imagining moving his unnerving story of a man sliding into dementia to the big screen. “For years I was dreaming about making that film. I would say it was a profound desire,” he says. Partly what drove him was the response to the play.

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‘ Thank you, thank you so much to Film Independent, to Searchlight. Congratulations to our fellow nominees, you make extraordinary movies, you push the boundaries of culture and we are so honored to be nominated with you,’ she began. Producer: Producer Mollye Asher accepted the Best Feature award for Nomadland, tahnking the talented cast and crew for all their hard work. Nomadland beat out First Cow, Ma Rainey’ s Black Bottom, Minari and Never Rarely Sometimes Always for Best Feature.

While Messerschmidt had strong competition tonight in Nomadland‘s Joshua James Richards, he was also a top contender throughout awards season. On the road to Oscar, he picked up the American Society of Cinematographers‘ Award for Outstanding Achievement in Cinematography in Feature Film, along with a Satellite Award and numerous other accolades.

At the Oscars, he beat out a formidable group of DPs, which also included Dariusz Wolski (News of the World), Sean Bobbitt (Judas and the Black Messiah) and Phedon Papamichael (The Trial of the Chicago 7).

Tonight, Mank was nominated in a total of 10 categories, including Best Picture, Director, Actor, Supporting Actress, Production Design, Cinematography, Costume Design, Makeup and Hairstyling, Sound and Original Score. Thus far, the black-and-white period drama has picked up two statuettes, for Cinematography and Production Design.

Scripted by the late Jack Fincher, Mank follows alcoholic screenwriter Herman J. Mankiewicz (Gary Oldman), as he endeavors to finish the screenplay for Citizen Kane. Along the way, it also examines the washed-up wordsmith’s relationships with icons of his time, including Marion Davies (Amanda Seyfried), William Randolph Hearst (Charles Dance), and Orson Welles (Tom Burke). Following a limited theatrical release on November 13, 2020, the film began streaming on Netflix on December 4.

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The nominees for the BAFTA TV Awards have been unveiled, and it was good news for Small Axe and The Crown. The nominations encompass a number of changes to the TV Awards following the BAFTA Review last September, a dramatic document that promised sweeping updates to the mechanics of BAFTA’s Film and TV prizes following the #BaftaSoWhite controversy.

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