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Sports Bob Dylan and "Shadow Kingdom": Game with Light and Time

06:03  22 july  2021
06:03  22 july  2021 Source:   gamepro.de

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Rolling Stone Editor Maik Brüggemeyer has looked at Bob Dylan only a few days available concert film.

Alles nur Inszenierung? Bob Dylan im Konzertfilm „Shadow Kingdom“ © Provided by www.rollingstone.de Everything only staging? Bob Dylan in the Concert Film "Shadow Kingdom"

Rolling Stone Editor Maik Brüggemeyer has looked at Bob Dylan only a few days available concert film.

In May This year, a picture made a picture on the Internet, the Bob Dylan showed, as he went sideways and sunbilling through a red door. Since Sunday night we know what was on the other side of this door: a kind of movie-noir set between Speakeasy and Roadhouse, where he was called with band some - as it was in the header - "Early Songs" Darbot.

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Where the truly early songs of the folk years did not come to the performance, but pieces from the years 1965 to 1989. Time is of course relative - especially in Dylan's world. And one is not sure if it is a sign of his humor or his time sensation that he performs his "early songs" in a scenery reminiscent of the golden era of the film Noir, which of course had long past as he has these songs wrote.

poses to the tone preserve

"Shadow Kingdom" has called Dylan this staging. It is not - how many fans hoped in advance - a virtual continuation of the so-called Neverending Tour, which Dylan has been incessantly led to the stages of the world until December 2019, which seems to be a World Gone Wrong since March 2020 at the latest.

"We Can Eithher Play Or Pose", Dylan has made a few fans in April 2019 in the Vienna Konzerthaus, which had not held on the strict photography ban. He holds a word in "Shadow Kingdom". Dylan and his five musicians, among them Big-Thief guitarist Buck Meek, Poznan Zur Tonkonserve. The delay, with which the singer sometimes opens his mouth hidden his mostly in the shadow or one of the guitarists sometimes intervenes a false chord, seem to be part of the Dylan's game with time.

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The half-acoustic for this occasion (AB and to get a Telecaster used) resisted songs, in which the accordion usually takes over the command, are almost embarrassing. "Tombstone Blues" as a decelerated recitative is one of the highlights, a ghostly "What's IT YOU Wanted" another.

Dylan TinGelt by his shaded rich

Dylan has saved the vocal portrayal of its last concerts by the pandemic, whispers, Barmmt, speaks, barking, grumbles against changing backdrops, so the impression arises, he is going through his royal shadow rich as otherwise by America, Asia or Europe. And as the wonderfully crocket and costumed audience begins to dance, one has the feeling that someone has brought the cover photo of Dylan's latest album "Rough and Rowdy Ways" to life.

If Bob Dylan implements his songs filmically, or implemented - at "Shadow Kingdom" from the American-Israeli director Alma Har'el -, he is never concerned with a impression of emotional immediacy, or even sweat and honest Crafts. "Guernica" also does not win if you are picasso brushes and absinthe lens next. The songs stand for themselves, Dylan's truth, whatever this may also mean, everything is about staging.

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as in the Schelmpiec "Do not Look Back" of D.A. Pennebaker, in which the songwriter presented itself as a folkner and beyond the stage as a rock star during an England tour. Or in "Eat the Document", a movie, who performed the European tour with electrically reinforced volume one year later as a disturbing disruptive trip.

or the Gauler Theater inspired by the Italian Commedia Dell'arte, the Rolling Thunder Tour, in which Dylan showed masked and suddenly called Renaldo in the resulting film. Even the stage schools of his concerts had, not only because of the pride of Oscars, in recent years more and more the appearance of a movie set.

The stream of "Shadow Kingdom" was switched off after 48 hours. But the past is how Faulkner wrote, not dead, it did not even pass.

Articles in the original Read www.rollingstone.de

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