Sports Opinion: 'Muhammad Ali' documentary doesn't shy away from boxer's flaws
Quebec coroner to investigate death of boxer Jeanette Zacarias Zapata
The Quebec coroner’s office will investigate the death of Mexican teenage boxer Jeanette Zacarias Zapata , who died Thursday following injuries sustained in a boxing match in Montreal last weekend. Quebec Public Security Minister Geneviève Guilbault announced the investigation on Friday. “Our thoughts are with the family and loved ones of boxer Jeanette Zacarias Zapata,” Guilbault wrote in a tweet. “(The coroner’s office) will conduct an investigation into the probable causes and circumstances leading to the athlete’s death.” Nos pensées accompagnent la famille et les proches de la boxeuse Jeanette Zacarias Zapata.
Barely a minute intobut doesn’t foreshadow what’s coming next.
A lighthearted, playful moment as he steals corn flakes from one of his daughters. Jubilant crowds chanting his name. And of course, the brash, braggadocio style of talking (and fighting) that athletes of his generation wouldn’t dare emulate -- or didn’t have the personality or gall to pull off.
“Boo, yell, scream, throw peanuts, but whatever you do, pay to get in,” Ali proclaims at the height of his boxing prowess. (The documentary uses his given name, Cassius Clay, up to the point where he changes it to Muhammad Ali in 1964.)
Q&A: Ali gets the Ken Burns treatment in 4-part PBS film
Considering the number of movies, documentaries and other entertainment vehicles made about Muhammad Ali, it would seem that — much like the former heavyweight champion at the end of his 1971 fight against Joe Frazier — there’s not much left to offer that's fresh. Will Smith played Ali. Ali even played Ali in “The Greatest.” The 1996 documentary “ When We Were Kings ” about Ali’s “Rumble in the Jungle” bout with George Foreman won an Oscar. Documentary filmmaker Ken Burns knew there were more layers to reveal in Ali’s rise from his Louisville, Kentucky, roots into the source of Black pride who captivated America with his boxing braggadocio, his contentious refusal to fig
Ali tells you exactly what you are about to spend nearly eight hours of your life watching: a deep look at society, war, race relations, the role of the Black athlete, the fragile state of religion in America and politics.
This is done through deliberate pacing and a myriad of interviews, including with several family members who give thoughtful, critical analysis. (That analysis was absent in 2019’s “What’s My Name,” which was broadcast on HBO and used archival footage and Ali’s own voice for narration.)
The documentary also commands your attention through the smooth tenor of narrator Keith David and the pulsating soundtrack, which includes music from Jimi Hendrix, Carlos Santana and Bo Diddley. It even mixes hip-hop flavor from Mos Def, along with an outstanding use of Digable Planets’ “Rebirth of Slick (Cool Like Dat)” mixed in scenes showing his fight with Floyd Patterson.
Ken Burns' PBS Muhammad Ali four-part documentary gives an expansive look at boxing legend's life
'Muhammad Ali,' which will be shown on PBS for four nights starting Sept. 19, was a labor of love that uncovers more about the boxing legend.Throw in the added stress of trying to complete the project and stay safe during a global pandemic, and the process can take on an added significance.
There is no emotional confusion or gray area here. You either love him or hate him, but you can’t keep your eyes off him, whether you agree with his social, religious, and political beliefs or not.
This four-part documentary series, which airs on PBS starting Sunday night (★★★ 1/2; not rated) describes Ali as a man who was “unconditionally himself” and comes from venerable filmmaker Ken Burns ("Baseball," "The Civil War"), with his daughter Sarah Burns and her husband, David McMahon, ("The Central Park Five," "Jackie Robinson," "East Lake Meadows: A Public Housing Story"), who pick up co-directing and writing credits.
KEN BURNS ON ALI:
Trying to understand a man so complex and complicated is a bold undertaking. Armed with 500 hours of footage, music, along with archival photos, “Muhammad Ali” presents a deep look at the boxer who possessed agility, finesse, a devastating jab with the gift of gab.
Hamilton police say kidnapping victim's kids tried to help him before son killed, 3 suspects sought
Investigators are looking for three male suspects in connection with Thursday’s double shooting and kidnapping in Hamilton that left a father badly injured, one of his sons dead and another son with gunshot injuries. Faqir Ali, 63, who police said was severely beaten but not shot, and his surviving son remained hospitalized Friday in stable condition. At a media briefing Friday, Det.-Sgt. Steve Bereziuk of Hamilton Police Service's Major Crime Unit identified Ali's deceased son and provided information on two of the suspects.
But it also comes on the heels ofconcerning diversity and complaints from filmmakers about limited opportunities when it comes to profiling subject, especially people of color. The network and Burns have also been accused of mutual overreliance, alleging both have contributed to a "systemic failure to fulfill (its) mandate for a diversity of voices."
Burns denies those narratives on his own films and says race shouldn't matter when making art, but he does acknowledge the problems that exist in the industry.
The issue with most documentaries, especially when the subject is so well-known and can be easily researched, is finding not only new information to advance the narrative, but presenting it in a way without sounding repetitive, insulting the audience with lazy storytelling or trying so hard it lacks nuance or substance.
You will rarely find that problem here, although you do get Burns' signature of zooming in on a photograph. But it’s important to note how accuracy plays a part in telling a complete story.
'Muhammad Ali': Takeaways from Round One: The Greatest, premiere of documentary on legendary boxer
The documentary "Muhammad Ali" premiered Sunday on PBS and continues with three more segments. Here are the highlights from the first part.The four-part series is directed by Ken Burns, Sarah Burns and David McMahon and chronicles Ali’s life from a Louisville youth looking to find his way in the world to the global icon he became as a result of his boxing, beliefs and courage as he dealt with a debilitating disease. The rest of the segments will start at 8 p.m. ET.
There is no mention of Ali allegedly throwing the gold medal he won at the 1960 Rome Olympics into a river after being refused service at a restaurant. The filmmakers said that footnote could not be conclusively verified to their satisfaction. (Ali received a replacement medal at the 1996 games in Atlanta.)
The origins of Cassius Marcellus Clay Jr.’s humble beginnings in the segregated Jim Crow South of Louisville, Kentucky, are in the oft-told story about his stolen bike. When he was 12, the new bike he shared with his brother, Rudy, was stolen. But that event led to him taking an interest in boxing.
A man of incredible depth, thoughtfulness and an oratory style his own, Ali was a man, at first glance, of glaring contradictions: He wanted racial equality and fought, at the cost of his livelihood, against an unpopular war in Vietnam. But he also used racist language to disparage and embarrass some Black opponents, namely Patterson, Ernie Terrell and most famously, Joe Frazier.
His faith was based primarily on teachings by Elijah Muhammad’s Nation of Islam, long known for its promotion of organized hate. Its decree included championing racial segregation at every turn and called for fidelity in marriage. The reasons behind Ali's radical religious transformation are mostly steeped in conjecture and while the film's voices try to unpack it as best of they could, it leave viewers to draw their own conclusions about his religious core.
'Muhammad Ali' documentary Round Three: Joe Frazier rivalry, overturned conviction and infidelities
Part 3 of "Muhammad Ali" focused on his epic rivalry with Joe Frazier, the resolution of his draft evasion case and his marital infidelities. From NFL plays to college sports scores, all the top sports news you need to know every day. Round Three: The Rivalry (1970-74) Smokin' Joe won but lost After his 15-round unanimous-decision victory over Ali in their first fight at Madison Square Garden on March 8, 1971, Frazier was arguably the one who endured more punishment during "The Fight of the Century." Frazier absorbed Ali’s jab all night and ended up with his eyes being closed shut.
The film dives deep into Ali’s frequent extramarital affairs, even detailing how his wife and entourage would arrange liaisons for him.
Ali learned early, contrary to popular belief by today’s hot-take crowd, that legacies were determined solely by the person, not by what others thought about his life.
His refusal to be drafted into the United States Army is a perfect illustration of this, as Ali put that legacy in jeopardy by saying, “I ain’t got no quarrel with them Vietcong” and the 1971 Supreme Court decision that overturned his conviction allowing him to return to his craft after losing three and a half years in virtual boxing exile.
The 1974 "Rumble in the Jungle" fight against George Foreman is much of the focus of the third and fourth portions of the documentary, and accentuates the attention to detail in the filmmaking, along with the “Thrilla in Manila," his finale with Frazier, which many think should have never taken place or should have ended Ali’s career.
The last half-hour of the documentary focuses on Ali’s refusal to stop fighting, his generosity and philanthropy, subsequent struggle with Parkinson’s disease, its devastating effects and his enduring impact he has left on the world.
Near the end of his 74 years, we see a man who not only was admired as an activist, copied as an athlete and icon but deeply flawed as a human being, as we all are.
He regretted his treatment of Frazier and Malcolm X, but then would make sure strangers or anyone who asked had money. “Service to others is often the rent you pay for your room here on Earth," Ali once said.
This documentary, though not as expansive as other Ali profiles in terms of certain subject matter, more than gives Ali his rightful due. It highlights his grace and humility and ultimately reveals someone who deserved to be called “The Greatest" but further cements his place in history that few others have achieved..
This article originally appeared on USA TODAY:
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