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US News "My words are transformed": Camélia Jordana publishes an open letter in response to criticism

20:05  12 february  2021
20:05  12 february  2021 Source:   ouest-france.fr

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Camélia Jordana dans le film d'Yvan Attal, Le Brio. (Archives) © David Koskas Camélia Jordana in Yvan Attal's film, Le Brio. (Archives)

"Only the words spoken are worth from now on, not those which one lends to me", clarified Camélia Jordana this Friday in a column published in the "HuffPost". The artist mentioned in particular the reproaches which followed her criticisms of certain artists, which she claims to have never made, or the diversion of feminist remarks made during a recent interview.

Camélia Jordana made a point of making an update on Friday February 12 and explaining in an open letter that "we lend [him] a word that is not [his ] " . In his HuffPost column written in first person, the artist states: "My alleged hatred of man, whether white or not, is pure invention."

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On the occasion of the release of her fourth album, the singer gave L’Obs an interview published on January 15, which read: "If I were a man, I would beg your pardon" . A shocking phrase that had however been somewhat taken out of context, notes 20 Minutes , which reports that in the interview she mentioned several titles from her new album and stated: “all of these songs say that if I was a man, I would ask forgiveness, I would question fears and I would take the time to question myself. "

" Only the words spoken are worth now, not those that are lent to me ", commented the concerned person in her tribune.

"At a time when someone lends me a word that is not mine, I must write for the first time" by @Camelia_Jordana https://t.co/FaW1LCY2g2

- The HuffPost (@LeHuffPost) February 12, 2021

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"False controversies"

"The volume of the absurd noise keeps increasing, she estimated. I think it's time to stop it. […] I said what I had to say now to make way for the music. Otherwise in silence ”. Camélia Jordana also mentioned Catherine Deneuve, Jane Birkin and Daniel Auteuil, whom she had been accused of criticizing. She regretted that these "immense artists whom [she] admires at the highest point since childhood" are not become the "subjects of remarks that [she has not] made and of false polemics" . The singer of Non, non, non (listen to Barbara) also found that “when [she] evokes [her ] anti-racism and [her ] feminism, [her ] words are transformed and diverted from their meaning ”. "Critics, attacks, and harassment come crashing down on the walls of the bubble that I have ferociously built for myself" , lamented Camélia Jordana. She deemed it necessary to “write for the first time” since “[her ] engagement is questioned at each of the interviews that [she] gives” .

“Curious” behavior: Criticism of Laschet's statement of “invented limit values” .
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