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One of the band's most popular songs, "Touch of Grey" is an optimistic anthem of perseverance. No matter what happens, as Jerry sings in the final chorus, "We will get by/We will survive." Let the sunshiny melody of Jerry's guitar and the sweet tone of Brent Mydland's keyboard wash you over with positive vibes.

This trippy instrumental from the Austin, Texas, trio showcases the band's global music influences while producing a calming soundscape. The Eastern-influenced guitar solo at the center of the tune's melody contrasts nicely against the simple bass and drum grooves, producing a meandering funky beat. It's the perfect song to light an incense stick to and zen out.

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"Raspberry Beret" radiates good vibes and gives off an incredible urge to drop what you're doing and dance. Its energetic beat and the sweet lilt of Prince's vocals will never fail to put a smile on your face.

From the instance Mac DeMarco's smooth surf-rock guitar starts playing, it's as if you're being whooshed away on a lazy river. All you can do is sit back, stretch out your legs, and enjoy the ride.

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At the end of the day, sometimes the best course of action is to just let things happen, at least, according to Kevin Parker. Throughout the song, Parker is struggling to accept the natural course of his life and the personal growth (good and bad) he's experiencing. But he's learning to listen to his gut and just let it happen.

Parker told Australian radio station triple j, "It's a powerful feeling when you realise that 'this is happening'. There are things that are changing, sometimes without your consent. When that happens it's quite a powerful thing, so much so that it felt like the whole album could be based around that feeling."

Bill Withers' "Lovely Day" is one of those songs that trapped sunshine in a bottle. It's the kind of '70s funk that exudes the energy of a warm summer day and eases the soul. The repetition of the phrase "Lovely day" in the chorus is like a mantra — after hearing it enough times it seems impossible to have a bad day.

Stone's song says don't need to buy things or seek validation on social media to keep you happy. What you do need is relationships and compassion.

Allen Stone sings that he "fell for it too." But that, "Whatever keeps you occupied (Ooh, ooh, ooh)/Whatever gives you contact high (Contact high)/Whatever keeps you busy, baby/Will never make you satisfied."

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From the first downbeat of "This Must Be The Place," you'll find yourself nodding along in rhythm to this relaxing jam. The song's airy synth melody and the simplicity of the guitar and drums pull you in, and it will seem like nothing in the world can go wrong.

From the blissful ring of the tambourine to the twang of the acoustic guitar, it's almost impossible to fight the overcoming feeling to close your eyes, clap your hands, and sing along.

The emotion pulsing throughout Mayer's guitar solos in "Gravity" is powerful, imploring listeners to fight through the difficult times in their lives. Mayer once described it as the most important song he's ever written because it grounded him in reality and made him realize that he needed to focus on "not screwing up" so he could continue to be on stage and perform.

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"This is a song about … making sure you still love yourself … making sure you still have your head on, making sure you still say no the way your mom would say no. And I will need it every damn day of my life because it's easier to mess up than it is to stay here," he said.

On "Move on Up," Curtis Mayfield is encouraging listeners to always keep striving toward their dreams and not be discouraged if progress isn't happening as fast as they'd like. Mayfield's falsetto on the track is impressive and situates itself well among the backing horns and drums that give this track its upbeat nature.

From its bassline to the snare drum and the vocal harmonies, every aspect of this song's composition is sonically pleasing. As it crawls along, "Black Cow" slowly builds into a typical Steely Dan solo section, featuring keys and sax solos that never get old.

Originally a love song from Stephen Stills to his then-girlfriend Judy Collins, this folk-rock masterpiece lives on as one of the most uplifting songs ever written. The trio's harmonies matched with ornamental guitar licks enchant listeners as they build to the song's beautiful ending. Dancing along to this song may not actually transport you back to Woodstock where it was first played, but it sure will make you feel like that's where you are.

This Flaming Lips track is insanely fun and goofy, but there's something inspirational about a Japanese karate wunderkind taking down a fleet of killer robots and saving the day. It makes us feel like there's a way to overcome any obstacle.

It's been nearly five decades since Yusuf/Cat Stevens released this feel-good track, but its uplifting vibe is still just as strong as it was in the '70s.

Stevens repeatedly belts out, "No, I can't keep it in/I can't keep it in, I've gotta let it out/I've gotta show the world, world's got to know/Know of the love, love that lies low." Each time he sings the phrases, they emit pure happiness.

Mitchell's 1970 tune is upbeat and energetic despite its darker meaning.

Mitchell told the Los Angeles Times in 1996 that she was inspired to write the song during a trip to Hawaii. "I took a taxi to the hotel and when I woke up the next morning, I threw back the curtains and saw these beautiful green mountains in the distance," she said. "Then, I looked down and there was a parking lot as far as the eye could see, and it broke my heart … this blight on paradise."

The dreamy melody and poetic lyrics of "The First Time" perfectly portray the early stages of a relationship when nothing could possibly seem better. As the song grooves on, Jim James delivers a surfy guitar solo that seems as if it wraps itself around you.

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