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The life of victory is in danger in the next episodes of "Tomorrow belongs to us", on TF1 ... © DNA / TF1 The life of victory is in danger in the next episodes of "tomorrow belongs us", on TF1 ... The return of tomorrow belongs to us is more than ever placed under the sign of change.
, the new star-studded epic from Denis Villeneuve, is getting positive reviews and praise for its visual interpretation of Frank Herbert's science fiction classic. Before the author died from cancer in 1986 at age 65, Herbert revealed that he was very pro-adaptations, including David Lynch’s translation starring as the book’s hero, Paul Atreides.
Upon the debut of Dune’s first cinematic adaptation in 1984, Herbert opened up to ET about his reaction to Lynch’s final product, MacLachlan’s casting,comparisons and how the book was initially received.
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“I didn't hold back anything [in Dune]. It all hangs out and maybe people liked what they read. The critics didn't like it,” Herbert told ET in 1984 leading up to the movie’s premiere. “The critics panned it when it first came out and it was rejected 22 times.”
In the years following Dune’s publication in 1965, the space opera found plenty of acclaim and literary awards to make up for its rocky debut. Plus, the novel (and later its many book sequels) amassed a devoted fan base across the globe. After Hollywood came calling for the best-seller to get a big-screen treatment, Herbert agreed and was pleased with the results.
“The story is there. They saved the story. It's all there. That's what the author worries about,” Herbert said. “It's a different language on that screen and if they’re adroit, and sensitive about picking their visual metaphors, the story comes off the screen.”
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In fact, Herbert revealed there was just a single excerpt from the book that he wanted to be featured, but didn’t make the final draft. “They only left out one scene that I wish they had included. The banquet scene. I know why they did it. There are time restrictions and other story constrictions,” he said.
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‘Dune’ Trailer No. 2
Set over 8,000 years in the future, Dune tells the story of Paul Atreides (MacLachlan and now), who lives in an intergalactic feudal society, where humans have spread out and colonized various planets in the universe. On one such planet, Arrakis, the Atreides family accepts the dangerous undertaking of being stewards over the mining of the universe’s only source of melange, a life-extending “spice,” coveted by everyone around them. In the deserts of Arrakis, Paul encounters the native Fremen people and evolves into a messiah-like figure who appears destined to lead their battle against an oppressive dynasty.
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Lest there be any confusion, Herbert was upfront about the presence of a social message subtext in the story. “There's a metaphor here I want people to get,” he said.
For longtime fans who had been carrying around dog-eared copies of the book leading up to the adaptation, Herbert predicted there would be some initial hesitations among his audience.
“Some of them will have my reactions, I think,” Herbert said. “Some of the sets are not what they visualized. Some are. And some are better. What would you expect from [Anthony] Masters (Dune’s production designer) and David Lynch? They're both artists. Why wouldn't they improve on the visual sense of the film? And they have free license to do this. This is what film is all about.”
During the nearly two-decades since Dune had been published, Herbert became a celebrity. On top of the book selling millions of copies, a passionate fan base idolized the author and his works. And Herbert wasn’t having it.
“There are people who want me to be a cult figure and insist that I must be a cult figure,” Herbert explained. “My reaction to that is to say, 'Go read the book again.’ In fact, go read all of them, because I was talking against cult figures.”
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Before their careers would become forever linked via TV phenomenonand cinema classic Blue Velvet, Lynch chose then-unknown MacLachlan to be his movie’s Paul. Herbert wasn’t dismayed by the casting of an untested actor. In fact, far from it.
“That was exactly what I told them to do,” he recalled. “I said get somebody who's never been on the screen before and put him in this part, so he doesn't bring any detritus from other parts into the scenes.”
He had another reason to favor MacLachlan for the part. As Herbert discovered upon their first meeting, not only was the movie’s leading man a longtime fan of Dune, but the book series had also gotten MacLachlan through some challenging periods of his teenage years.
“Paul was someone I could retreat to in that difficult stage,” MacLachlan told ET leading up to the film’s premiere in 1984. “He was a loner and I identified very strongly with that characteristic in him.”
Plus, all three principle creatives -- Herbert, Lynch and MacLachlan -- identified as Washingtonians. “There's kind of a natural bond being from the same state, but Kyle's an easy guy to like and he is extremely personable in a natural way,” Herbert said.
In this interview, Herbert also reacted to interstellar tales similar to Dune being perceived as more accessible to audiences within pop culture at the time -- with cineplexes still in the midst ofand ’s science fiction explosion that began in the late ‘70s. The once niche genre was now mainstream thanks to the pair’s blockbusters like Star Wars and .
HBO Max’s ‘Head of the Class’: TV Review
Isabella Gomez steps into a role originated by Howard Hesseman, playing the teacher of a class of diverse high achievers in a remake of the somewhat beloved ABC ensemble sitcom.Thing I don’t remember about the original Head of the Class: what the show’s actual premise was. As best I can explain, it was about a diverse group of nerds in the “Individualized Honors Program” at a Manhattan public school who relied on a permanent substitute teacher (Hesseman’s Charlie Moore) to impart lessons about life, or something to that effect.
But Herbert wasn’t concerned about Lynch’s work being placed into this new category of film. “No way that's going to happen. I've seen [Lynch’s adaptation]. Star Wars was [comic books] for the screen,” Herbert said. “Very shallow in the story and character development sense. [The movie] should have had balloons in there with ‘Pow!’ and ‘Bang!’” he added with a laugh.
If he sounded bitter, there’s a reason. As Herbert saw it, along with many other notable authors and critics at the time, Dune had an enormous influence on the original Star Wars trilogy. Enough so that Herbert said that while he was developing the screenplay with Lynch, overlaps between the two properties caused “problems” on account of how much of the novel, according to Herbert, Lucas had already put on the big screen.
“It ‘borrowed,’ I think is the kindly word, from me [and] from a lot of other science fiction writers,” he claimed.
When reflecting on Dune's immense fandom and cultural impact nearly 20 years after it was published, Herbert figured he wouldn’t be around for his work's true endurance test.
“The best critic is time. ‘Does it endure?’ I'm not gonna be around to know if my grandchildren and great-grandchildren are going to be reading this in college or that sort of thing,” Herbert said. “But it seems to me that that is a distinct possibility now."
Over 35 years after this interview, there’s a $165 million budgeted film that’s on track to secure Dune’s enduring legacy for a little while longer. While Lynch’s adaptation was a financial dud in 1984, Villeneuve’s movie already grossed over $120 million at the international box-office heading into its domestic release. And without any official announcement of a sequel from Warner Bros. (for now), the directorthat his Dune only covers the first half of the source material. "I would not agree to make this adaptation of the book with one single movie," Villeneuve said. "The world is too complex. It’s a world that takes its power in details."
In addition to Villeneuve being a longtime devotee of the original work, the author’s presence was felt behind the scenes in other ways, too. The filmmaker favored shooting on location in the deserts of Jordan and building elaborate sets as opposed to strictly using greenscreens. While promoting the movie this year, Dune startold ET that the authentic terrain seemed like “what Frank Herbert intended.”
Dune (1984) streams on HBO Max. Dune is now in theaters and streams on HBO Max.
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