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Entertainment Marguerite Duras and her mother, a relationship between crushing and domination

14:13  04 december  2021
14:13  04 december  2021 Source:   ouest-france.fr

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Marguerite Duras aux côtés de sa mère et de ses frères, Pierre et Paul, et de trois serviteurs, vers 1921-1922. © Duras Marguerite Jean Mascolo / Corbis Collection alongside her mother and her brothers, Pierre and Paul, and three servants, around 1921-1922. of the omnipresent Marie Donnadieu, Duras made a mythological figure, in turn grandiose or sordid. Fourth episode of our series devoted to mothers of writers.

Marie Legrand, Marie Obscure, Marie Donnadieu, Mary who loves, who associates with the eldest son to give blows, takes the money of the lover, share at war against a sea and an administration: what c 'Is to be the daughter of this woman, Marguerite told it a lot. His own name, Duras, she took her from the Father, Henri Donnadieu, barely known (death when she was 7 years old), but it's good that she did the raw material of his work.

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"Mother of all. Mother of everything.

The mother always started again, elusive on the few pictures that remain of her (right bun but floating smile); In his daughter's books, crazy tower, rage, exhausted, extinct, miserly, mackerel, elsewhere.

"By any side we take it now we always reached it in bright and painful regions" , writes Duras in a barrage against the Pacific; "Full of love. Mother of all. Mother of everything. Creamy. Screaming. Hard. Terrible. Invivable ", she said in the cinema eden.

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teacher in Nord-Pas-de-Calais, she had left everything (and first her husband) to teach in Cochinchine, in Saigon, at the beginning of the twentieth century. Nearly twenty years later, she has a family, lost a second husband, and undertook her new desire for wealth: possess a concession in a rice field. The plot she gets after years of steps is floodable. What it is to be a woman, twice widow, three times mother, fraud in an island of French colonial empire of the 1930s, at the mercy of the goodwith frames and elements ... diving waiting. Tension between a struggle every day and a horizon that moves away.

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In the novel that will make it famous, a dam against the Pacific (1950), Duras brutalizes and magnifies his mother: she transforms her into a quasi mythological figure (it is the titanic fight of the mother and the sea, homonymy whose writer played a lot); Later, in the rewriting of the story, the Eden Cinema (1977), the mother becomes even more striking a totem, quasi mute character.

A part of invention

the portrait of the mother who appears from these books and the following (the lover of North China, for example) is both terrible and terribly moving. Nothing the sordid family relations (quasi-prostitution of his daughter, incestuous desires) and the psychological deduct of Mary Donnadieu seems to spared the reader; But his struggle alongside peasants is highlighted. Where is the share of the experience, the share of the invention? Writing on his mother (for his mother) is perhaps one of the greatest misunderstandings that a writer can face - a tear for the mother, when it survives at work.

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This is the case for Marie Donnadieu, who insults his daughter when Marguerite Duras shows him a dam against the Pacific; This is the case, recently, for the mother of Edward Louis, who mentioned in the press the

"dirty silver" of his son's book, finish with Eddy Bellegueule. As Edward Louis, Marguerite Duras sought to show domination and crushing, to do otherwise "sociological excuses" , at least one raw story, which contains everything, beauty but misery.

with this novel, it started a way of writing and living, not to separate the two activities, as little as possible, to endanger, in the manner of Annie Ernals, later, in a setting in Scene and constant self-exposure, which does not stop annoying and fascinating. From his mother, in spite of them, come from love and writing, love like erased and devastating, writing as deployment, dancing around a vacuum (the famous

"word-hole" in the heart of the sumptuous Ravage of LOL V. Stein), Vertigo of Absence-Presence.

This article was initially published in Read literary magazine in May 2014.

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usr: 1
This is interesting!