Opinion The Rise and Fall of the Comedian Who Revolutionized Stand-Up
Sarah Snook Reveals She Secretly Wed Comedian Dave Lawson
Sarah Snook revealed she secretly tied the knot with Australian comedian and actor Dave Lawson in February. In an interview for the cover of Vogue Australia, the Succession actress told the publication, “At the beginning of the pandemic last year, I got locked down in Melbourne with one of my best mates and we fell in love.” More from The Hollywood Reporter'Succession' Star Brian Cox Talks Season 3 and Aftermath of Bombshell Betrayal: "It Was Inevitable"Events of the Week: 'Succession,' 'The Harder They Fall' and More"It's My Turn": 'Succession' Cast to Pick Sides -- Team Logan or Team Kendall -- in Season 3 She shared, “We’ve been friends since 2014, li
Mort Sahl, who, may be unknown to most people who are younger than half that age, but in his prime in the 1950s, he sparked a revolution in stand-up comedy that persists to this day.
Before Sahl, the headline comics performed on the Vegas strip or the Catskills circuit, reciting jokes—snappy setups and rim-shot punchlines—about wives, kids, and mothers-in-law. Sahl, who made his mark at the, a dank, dingy nightclub in San Francisco’s North Beach district, uncorked discursive monologues on politics and the era’s raft of social hypocrisies—the sorts of topics that polite people didn’t talk about in public. (Yes, Will Rogers poked fun at politicians, but in a genial manner; Sahl was out for blood.)
Seahawks pass-rusher L.J. Collier reportedly generating trade interest
Perhaps a change of scenery will help the TCU product unlock his potential. Subscribe to Yardbarker's Morning Bark, the most comprehensive newsletter in sports. Customize your email to get the latest news on your favorite sports, teams and schools. Emailed daily.
Sahl had the look and manner of a hip Berkeley professor, dressed not in a suit and tie but in chinos, a V-necked sweater, and a shirt with an open collar, bounding to the stage with a sly grin, a few newspapers and magazines tucked under his arm. (Many years later,on “the other America” at Claremont McKenna College.) With the cadence of a jazz musician, he would read from some of the articles, commenting sarcastically, digress to another issue, cackle at some improvised observation, then return to the topic after musing “Now where were we?”
Other, similar comedians and satirists would soon emerge from similar scenes with their own forms of rebellion—Lenny Bruce, Jonathan Winters, Tom Lehrer—but Sahl was the first, the tone-setter, and the most enduringly influential. Without him, it is hard to imagine the likes of Woody Allen, George Carlin, Richard Pryor, Chris Rock, or Dave Chappelle.
Dolphins to place Jason McCourty, Malcolm Brown on IR
The Dolphins somewhat started planning for McCourty’s absence when they signed safety Sheldrick Redwine off the Panthers’ practice squad on Monday. Brown joined the Dolphins this offseason after spending the first six seasons of his career with the Rams. The 28-year-old got into the first seven games for Miami (including three starts), collecting 135 yards from scrimmage and one touchdown on 36 touches. The Dolphins will continue rolling with Myles Gaskin atop the depth chart, but Salvon Ahmed could see a larger role while Brown is sidelined.
Sahl was the most overtly political of the gang that some stuffy scribe denounced as “sick comics.” He first appeared at the hungry i on Christmas night, 1953, and, after a few weeks of experimenting, scored with these two jokes about the era’s Red Scare: “Joe McCarthy doesn’t question what you say so much as your right to say it.” And: “Every time the Russians throw an American in jail, the House Un-American Activities Committee retaliates by throwing an American in jail, too.”
By the end of the decade, Sahl had become fabulously rich and famous, appearing on the cover of Time, starring in a hit one-man Broadway show called The Next President, and playing nightclubs around the nation for $7,500 a week (roughly $52,000 in today’s dollars), as much as the average American earned in a year., the New York Herald Tribune’s theater critic, lauded Sahl’s play as “a indication that something in our society has begun—after too many muddy and fearful years—to change. First thing you know, irreverence will be in vogue again ad even satire may wear its old outrageous and becoming smile. It’s nice to know improper things can once more be said in public.”
Mort Sahl, one of the first comedians to focus on politics, dies at 94
“I just sort of tell the truth and everybody breaks up along the way,” he once said.His friend Lucy Mercer said that he died “peacefully” at his home in Mill Valley, California. The cause was “old age,” she said.
Sahl had no discernible ideology, except for a distrust of all authority, regardless of which party was in power, and a disdain toward all shibboleths. “Is there any group here that I haven’t offended?” he would often say toward the end of a set. “I wish I had a cause because I’ve got a lot of enthusiasm,” he was quoted as saying in a.
John F. Kennedy’s election as president in that year marked Sahl’s peak—and the start of his downfall. Sahl adored Kennedy—his insouciant wit and youthful charm—and the Kennedy crowd adored Sahl in return, laughing along with his trenchant stabs at Eisenhower, Nixon, and the stagnant complacency of the era. But then, once Kennedy entered the White House, this same crowd was appalled when Sahl started going after him. Sahl found himself blackballed from Camelot and never got over the sting. Nor, however, did he quite get over his infatuation with Kennedy himself—and JFK’s assassination wrecked him. He plungedof conspiracy theories, going on stage not with his usual props of newspapers and magazines but rather with a marked-up copy of the Warren Report (which concluded that JFK was shot by a sole gunman), devoting entire, hourslong sets to shredding its inconsistencies.
Panthers place offensive lineman John Miller on injured reserve
After starting 14 games for the Panthers in 2020, Miller re-signed with Carolina this past offseason. After missing Week 1, the lineman started each of the Panthers’ next six games. The former third-round pick spent the first four seasons of his career with the Bills before starting 13 games for the Bengals in 2019.The Panthers also swapped punters on Tuesday, waiving Ryan Winslow and adding Lac Edwards to the practice squad. Per Newton (on Twitter), Edwards is expected to be promoted for Sunday’s game against the Falcons. Winslow was filling in for Joseph Charlton, who is currently sitting on IR.
In short, Sahl committed the cardinal, often fatal sin of a stand-up comedian: He became unfunny. (Dave Chappelle, take note.)
Lenny Bruce committed the same sin around this time, though Bruce spent time on stage dissecting the transcripts of his own court trials on charges of obscenity and drug possession. Bruce died of an overdose in 1966, at the age of 40. Sahl, who was just two years younger than Bruce and an uneasy friend till the end, avoided that degree of self-destruction, but he vanished from the public light for a few years.
Sahl made a comeback with the reemergence, then implosion, of another blast from the past: Richard Nixon. The abortive second term of Nixon’s presidency—from his landslide over George McGovern in 1972 to the Watergate hearings of ’73 and his resignation in ’74—served as afor Sahl’s subtly savage satire and shrewd social observations.
But he never came all the way back. Over the past few decades, he hosted some short-lived cable shows, wrote a few unproduced movie scripts, and did infrequent nightclub gigs. He became a comedian’s comedian—venerated by other comedians, especially those old enough to know that they wouldn’t be doing what they were doing if it weren’t for him—but he never quite kept up with the shifting times in a way that restored his appeal with a broader audience. Not long after his Watergate revival, he spent a few years as a resident comedian at a—as clear a sign as any that his brand of humor had gone mainstream: a triumph, but an ambivalent one for an artist who had once been fueled by an avant-garde edginess.
Jimmy O. Yang's Crab Club feasts on Asian American stories .
One of the hottest “clubs'' in Hollywood is run by “Crazy Rich Asians” actor Jimmy O. Yang and his producing partners. There's no DJ or bottle service. If you gain entry, you better know how to eat a Dungeness crab. Yang, whose Netflix holiday rom-com “Love Hard” drops Friday, has been turning Crab Club, the production company he operates alongside Jessica Gao and Ken Cheng, into a real Hollywood force. Why Crab Club? The moniker comes from their regular crab dinners with other Asian American friends working in entertainment. The aim was not just to eat, but also to support each other. The meals rotate among their Los Angeles-area homes.